Mobb Deep’s Prodigy and Havoc spun a dark world for their classic 1995 debut The Infamous, with an even darker sonic landscape - chalk it up to Havoc’s keen ear for gritty samples that pull together sounds from different records. Mobb Deep, “Shook Ones Part II,” produced by Havoc
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It all came together on “C.R.E.A.M.,” a smear of organs, church-y wails, and an unforgettable piano melody that perfectly represented the bleak hood nightmares described by Raekwon and Inspektah Deck.ĥ. His dusty, rich soul samples - here courtesy of the Charmels’ “As Long As I’ve Got You” - inspired folks like Kanye West and Just Blaze, and the drunken drum loop popularized swinging drums in an age of quantized, clockwork boom-bap. The backdrop for Wu-Tang’s most iconic song, this beat exemplified RZA’s ridiculously prolific peak period. Wu-Tang Clan, “C.R.E.A.M.,” produced by RZA It was dizzying and satiating, all at once, playing background to some of the finest bars from the Bad Boy crew.Ħ. But the peak of The Hitmen’s output came with “All About the Benjamins,” helmed by Deric “D-Dot” Angelettie, who slowed down a guitar lick from Love Unlimited’s “I Did It For Love” and made it the centerpiece atop whizzing percussion. Puff Daddy typically leaned on his production group The Hitmen to mine samples from ‘60s and ‘70s records and flip them into shiny bucolic fare ( Notorious B.I.G.’s “Mo Money Mo Problems,” Puff Daddy’s “Been Around the World”). Puff Daddy and the Family, “All About the Benjamins,” produced by Deric “D-Dot” Angelettie With “Drop It like It’s Hot,” the Virginia duo provided a breathable landscape comprised of fingersnaps, mouth clicks and a Juno 106 synth that combined to form a beat that harnessed the pure keyboard sounds of the ’70s and surrounded it with highly experimental percussion that paid off.ħ. But their best instrumental slots in the latter.
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Since the beginning of their reign as two of rap’s greatest creative minds, the Neptunes’ Pharrell Williams and Chad Hugo proved to be masters of both minimalism ( Clipse’s “Grindin’”) and maximalism ( Gwen Stefani‘s colossal “Hollaback Girl”). Snoop Dogg featuring Pharrell, “Drop It Like It’s Hot,” produced by The Neptunes Some have become outdated, but the one that still sounds the most like the year 3000 was given to Jay Z for his classic “N-a What, N-a Who?” With its strobe synths and stuttering drums, Timbo provides a sonic template with pockets of silence that Jay fills with a constantly shifting meter. Timbaland has always had a genius knack for crafting beats that sound like they’re from the future. Jay Z featuring Amil and Jaz-O, “N-a What, N-a Who?,” produced by Timbaland That rat-a-tat snare breakdown is the probably most copied drum fill in recent memory.ĩ. Nothing more than a hypnotically repetitive patois vocal sample (from a ridiculously obscure Tribe Called Quest remix) over an 808 drum kit, it’s ridiculously simple, but you could freestyle over it endlessly. Perhaps the most influential beat of the 21st century, this Bangladesh banger single-handedly started a new wave of trap that took the early innovations of Atlanta cats like Shawty Redd and DJ Toomp to the future. Lil Wayne, “A Milli,” produced by Bangladesh Read on for our countdown of the top 10 hip-hop beats of all time.ġ0. Dre - who have minted the best beats in the genre’s history. Since hip-hop’s inception, producers spanning The Bomb Squad and J Dilla to Just Blaze and Kanye West have crafted instrumentals that have stood the test of time, but none more so than a handful of premier craftsmen - DJ Premier, Pete Rock, Dr.
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Any of the songs on this page would make great “Telephone Wait” or “On Hold” music for your customers.See the All-Time Charts: Billboard 200 Albums | Billboard 200 Artists | Hot 100 Songs | Hot 100 ArtistsĬreating the perfect beat is a combined matter of timing, creative genius and just the right rapper to complement it. Public Domain and Royalty Music from Songs that are 100% Royalty-free. The best public domain alternative music – all royalty free. Love these songs and want the original CD? There are a few rare copies still available for sale. Sweet pop song with an Eagles – Jackson Browne flair Pop tune reminiscent of the early Beatles If you like the Beatles and John Lennon, you’ll like this poppy tune
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Uptempo 80’s beat with heavy snyth- has the feeling of fast motion
#Non copyrighted rap instrumentals license
Īfter downloading, please choose licensing option STANDARD LICENSE (Fee) or CREATIVE COMMONS (Free) Uptempo 80’s synth pop tune about a futuristic car. STANDARD LICENSE (Fee) or CREATIVE COMMONS (Free) STANDARD LICENSE (Fee) or CREATIVE COMMONS (Free) We’ve come a long long Way (4:51) Early, Raw, No Vocal Version STANDARD LICENSE (Fee) or CREATIVE COMMONS (Free) We’ve come a long long Way (4:51) Early, Raw Version
#Non copyrighted rap instrumentals download
Please make a small donation (optional) then DOWNLOAD HEREĪfter downloading, please choose licensing option Acoustic guitar rock with very catchy melody